|
|
||||||||||||||
PLAYBOY.COM MUSIC REVIEW
RECENT REVIEWS
ARCHIVE
October 2008 September 2008 August 2008 Loudon Wainwright III July 2008 June 2008 May 2008 April 2008 March 2008 The Presidents of the United States of America February 2008 January 2008 December 2007 November 2007 October 2007 September 2007 Broken Social Scene Presents: Kevin Drew August 2007 July 2007 June 2007 May 2007 April 2007 March 2007 February 2007 January 2007 December 2006 November 2006 ...And You Will Know Us By The Trail Of Dead October 2006 Working for a Nuclear Free City September 2006 Bobby Bare Jr.'s Young Criminal Starvation League August 2006 July 2006 June 2006 May 2006 April 2006 March 2006 Isobel Campbell & Mark Lanegan February 2006 January 2006 December 2005 November 2005 October 2005 September 2005 August 2005 July 2005 June 2005 May 2005 April 2005 March 2005 General Patton vs.the X-ecutioners February 2005 January 2005
Wire
Audio Clip: "One of Us" There's no metaphor skimming below the surface of Wire's new album title: It's called Object 47 because that's its place in the band's extensive discography (singles, EPs and live releases included). Such directness may be the greatest reason why Wire has lasted for three decades and sounds like a band half its age -- its entire focus is on making post-punk that's graceful and precise. Which is not to say there's no room for variation. Leadoff track "One of Us" marks an immediate detour from 2003's esoteric Send: It's bright and friendly and -- like all good Wire -- a touch subversive. It's such a standout that the rest of the album initially struggles to keep the pace, but most songs unfold and blossom on repeated listens (the lumbering spoken word on "Patient Flees" makes it an unfortunate exception). It's not the first Wire album a new fan should start with -- but for those who already own a few of those 47 objects, it holds its own on the list. -- Antonia Simigis |
|
© Playboy.com All rights reserved. Your California Privacy Rights |
|||||||||